tumbling blocks

gauge fest 2010

doing gauge

Mainly, I am working on the Paper Dolls sweater. It's incredibly cute, but there is a lot of small gauge stockinette before you get to the colorwork part. I am making good process, but I felt the need to stop and do something different, so I gauged. The yarns are, from biggest to smallest, Valley Yarns Berkshire Bulky, Second Time Cotton, and "vintage" Spinnarin Cashmere Plus. I would really like to make a cardigan out of the Cashmere Plus (from a garage sale), but I think it's just a bit too fine. Maybe I'll hold it double, or maybe I won't have enough yarn to do that. I'm thinking of Audrey in Unst or Peyton, both from Twist Collective Fall 2009. But, the stuff is so soft and lightweight—maybe it wants to be something lacy?

paper dolls progress

the final block (so far)

one quilt - Sarah

Some very long time ago, Meg and I started one quilt. I'll speak for myself, but I imagine it goes for many, and I'll say that it was harder than I thought it was going to be to keep things going each month. And here you have the evidence: This block is Sarah's block, for which she sent out the fabric nearly one year ago. Oh my! Thankfully, we're just a nice and understanding bunch of people. Also thankfully, this is the last block I owe at the present. At some point, I want to make mosaics of each participant's blocks, but I'm going to wait on it some more and see what happens.

Sarah's fabrics were such a good mix to work with. This quilt from a past Toko Quilt Festival was the inspiration. It is such a beautiful quilt. The part that Sarah wanted to build on was the idea of areas of densely pattered patchwork and areas of tonal patchwork. It's always fun to play with others' ideas.

sending out the upholstery

sending the chairs off to be upholstered

You may remember (or likely do not--that's fine) that I took an upholstery class some 2+ years ago with the idea that it would give me the tools I needed to turn my worn chairs into things of beauty. As it turns out, upholstery is somewhat of an art, and I have neither natural talent in this area, nor an inclination to practice. My one gray velvet chair I almost completed during the class never became totally completed. In the time since the class, the chair has faded a bit in places to a lavender with peach tones. I am officially giving up upholstery. We have found someone who does good work at a good price, so I am getting both my gray chair and its clawed-up, bright yellow mate redone in a not-too-fussy off-white matelasse. White—am I nuts? Maybe, but at least it won't fade.

Knitting continues to dominate the crafting agenda. I'm working on trying to take cuter in-progress pics.

happy striped knee socks

my stripey noro knee socks say...

Love! I am completely in love with my new striped knee socks. They validate my burgeoning relationship with knitting socks in general. I almost feel like I don't know why I'd ever knit anything besides knee socks. (Almost. I've just cast on for a sweater.) Ah, knee socks—you keep my boot from rubbing my calf. You provide a comfortable double layer for the part of my body that is below the hem of my coat without the double waistband of long johns.

so folksy today!

The thing about most socks patterns is that the socks are not very tall. They usually come only a bit above the ankle. I want them taller. Is this possible, o seasoned sock knitters? Where do I put calf increases in a lace sock?

My knee socks came from this recipe at Streets and YOs and Noro Kureyon yarn. Also, I loved the Turkish cast on for the toe—so tidy. Here's a really good Turkish cast on tutorial.

the cartographer

zig zags for beebs

I'm almost certain that when Andrew Bird wrote "I was the cartographer of the tangles in your hair," he was not thinking about mothers and their relationships with their daughters and the daily ritual of the hairdo. But, this is just where my mind goes every time. It's is such a beautiful, intimate line—to know someone so well that you know where each snarl is likely to crop up. It brings to mind morning sunlight and the process of tracing all the golden hairs from Eva's head and trying to get them to lay smooth and look brushed.

Of course, most mornings are not that beautiful. They are rushed—we are trying to get out the door to school and work. Most days Eva's hair is braided is one or two very long braids, and there is little time for experimentation. It is more likely to be a time where we feel cross with each other for all the pulling and yanking that those knots require. Seldom do I stand behind Eva with a comb and think that I am privileged to be able to groom this individual. But every so often, this song, Armchairs comes into my head and I take a breath and remember that it won't be much longer until she doesn't want or need me to do her hair, and I braid with a little more intention.

The hat is Eva's Christmas present from me. It was intended to be a beret, but it ended up being a hat. The hat covers her ears, which is important. I used Palette yarn left over from my tulip socks, and Sock Pixie's La Parisenne Beret pattern.

Also, Andrew Bird comes to town every year. Why have I never been?

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